Evidence » course: letters, signs and symbols

The first photo is an image from the literary magazine Grand Street, from 1996. The image projected onto the hand is from an Aztec codex (the issue's theme, All-American, refers to all cultures across both American continents). The second image is from this site. These are two of a series called called Interior Cartographies by Tatiana Parcero.

Think of this as another example of subjectivity in maps. How does individual perspective alter not just what's on the map, but the map itself?

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